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Concert Hall Classics

Concert Hall Classics, hosted by Curt Timmons, offers three hours of stunning music, presenting extended selections from the KUCO library and his personal collection. The program allows KUCO listeners to indulge in their favorite masterworks as well as discover more unusual offerings.

Curt Timmons

A Preview of Upcoming Programs on CHC

Monday, December 15, 2025

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

Rarely heard oratorios and choral music of George Frederic Handel – Part 1

Dettingen Te Deum

Soloists, Alsfelder Vokalensemble, Concerto Polacco performing on period instruments conducted by Wolfgang Helbich

An Occasional Oratorio

Julia Doyle, soprano, Ben Johnson, tenor, Peter Harvey, baritone

The Bavarian Radio Choir; Akademie für Alte Musik performing on period instruments conducted by Howard Arman

 

 

                

                

Tuesday, December 16, 2025

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

Rarely heard oratorios and choral music of George Frederic Handel – Part 2

Saul (Oratorio in 3 acts sung in English)

David Cordier as David; Knut Schock as Jonathan; Barbara Schlick as Michal; Claron McFadden as Merab, Witch of Endor; Marcel Beckman as Abner; Gotthold Schwarz as the Apparition of Samuel; Junge Kantorei; Barockorchester Frankfurt performing on period instruments conducted by Joachm Carlos Martini

 

                

                

Wednesday, December 17, 2025

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

Rarely heard oratorios and choral music of George Frederic Handel – Part 3

Il trionfo del Tempo e della Verità (The Triumph of Time and Truth, second version of 1737)

Claron McFadden as La Bellezza (beauty), Elisabeth Scholl as Il Piacere (Pleasure), Nicholas Hariades as Il Tempo (time), Peer Abilgaard as Il Disinganno (Disillusion), Junge Kantorei, Barockorchester Frankfurt performing on period instruments conducted by Joachim Carlos Martini

 

                

                

Thursday, December 18, 2025

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

Music of George Frederic Handel – Part 4

Concerto a due cori in F No. 2 for 2 wind ensembles and strings (as would have been heard during a performance of Messiah)

The English Consort led by Trevor Pinnock from the harpsichord (1984 Archiv digital)

Messiah (Performance in a compilation of versions as would have been heard in 1750s London)

Margaret Marshall, soprano; Catherine Robbin, mezzo-soprano; Charles Brett, countertenor; Anthony Rolfe-Johnson, tenor; Robert Hale, bass; Saul Quirke, boy soprano – Monteverdi Choir – English Baroque Soloists conducted by John Elliot Gardiner (1981 Philips digital)

 

                

                

Previous Programs on CHC

Monday, December 8, 2025

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

Violin and Keyboard concerti of Johann Sebastian Bach; Three Horn Concerti of Wolfgang Amadeus Mozart

Part 1: Johann Sebastian Bach: Concerto in d minor for two violins, BWV 1043; Concerto in a minor for violin, BWV 1041; Concerto in E for violin, BWV 1042; and Concerto in d minor for two violins BWV 1060

Andrew Manze and Rachel Podger, violinists; The Academy of Ancient Music led by Andrew Manze

Part 2: Johann Sebastian Bach: Concerto in d minor BWV 1052; the Concerto in E BWV 1053; and the Triple Concerto in a minor for flute, violin and harpsichord BWV 1044

Richard Egarr, harpsichordist; Pauline Nobles, solo violin; Rachel Brown, flute in the triple concerto; Andrew Manze directs The Academy of Ancient Music

Part 3: Wolfgang Amadeus Mozart: Horn Concerto No. 1 in D, K 412 (1791, unfinished); Horn Concerto No. 2 in E flat, K 417 (1783); Horn Concerto in E-flat, K 447 (1787)

Lowell Greer, natural horn; Philharmonia Baroque Orchestra directed by Nicholas McGegan

 

                

                

Tuesday, December 9, 2025

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

William Byrd: Mass for 4 voices; Missa Solemnis attributed to Joseph Haydn; Sacred works of Franz Schubert

Part 1: William Byrd: Mass for Four Voices (1592–1593)

The Sixteen conducted by Harry Christophers

Part 2: Joseph Haydn (attributed): Missa Solemnis

Judith Graf, soprano; Ingrid Alexandre, alto; Lukas Albrecht, tenor; Michael Haag, bass Collegium Cantorum St. Gallen; Südwestdeutsche Philharmonie Konstanz conducted by Mario Schwarz

Part 3: Franz Schubert: Mass in B-flat D324; Salve Regina in F, D379; Stabat Mater in f minor, D383; Salve Regina in B-flat, D452

Lucia Popp and Helen Donath, sopranos; Brigette Fassbaender, mezzo-soprano; Adolf Dallpozza, tenor; Dietrich Fischer-Dieskau, baritone; Chorus and Symphony Orchestra of the Bavarian Radio conducted by Wolfgang Sawallisch

 

                

                

Wednesday, December 10, 2025

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

“Back To Basics”: Symphonies of Carl Maria van Weber, George Bizet, Franz Schubert, Peter Ilyich Tchaikovsky, and Sergei Prokofiev

Part 1a: Carl Maria van Weber: Symphony No. 1 in C

Part 1b: George Bizet: Symphony in C

Staatskapelle Dresden conducted by Otmar Suitner

Part 2a: Franz Schubert: Symphony No. 5 in B-flat, D.485 (1816)

Staatskapelle Dresden conducted by Herbert Blomstedt

Part 2b: Franz Schubert: Symphony No. 8 in B minor “Unfinished” D485

Part 3a: Peter Ilyich Tchaikovsky: Symphony No. 2 in c minor, Op. 17 “Little Russian”

Dresden Philharmonic Orchestra conducted by Kurt Masur

Part 3b: Sergei Prokofiev: Classical Symphony in D, Op. 25

Dresden Philharmonic Orchestra conducted by Kurt Masur

 

                

                

Thursday, December 11, 2025

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

The United States Marine Band: Classic and modern transcriptions for wind ensemble

Part 1: Overtures, Vol. 1: Antonín Dvořák: Carnival Overture, Op. 92, transcription By  Herbert L. Clarke; Richard Wagner: Overture To The Flying Dutchman, transcription By Mark Hindsley; Hector Berlioz Overture To Benvenuto Cellini, transcribed by F. Ligner; Giuseppe Verdi: Overture To Il Finto Stanislaw, transcription by Walter Kalischnig: Giuseppe Vedi: Overture To Giovanna D’Arco, transcription by John R. Bourgeois; Johann Strauss Jr.: Overture To The Gypsy Baron, transcription by John R. Bourgeois; Sir Arthur Sullivan: Overture di Ballo, transcription by John R. Bourgeois; and Édouard Lalo: Overture To Le Roi D’Ys, transcription by Lucien Cailliet

The United States Marine Band conducted by Colonel John R. Bourgeois

Part 2: Overtures, Vo. 2: Franz von Suppé: “Light Cavalry” Overture transcribed by Charles Godfrey; Leonard Bernstein: Overture to “Candide” transcribed by Claire Grundman; Otto Nicolai: Merry Wives of Windsor transcribed by John Philip Sousa; Gaetano Donizetti: Overture to Don Pasquale transcribed by Pasquale Pulvirenti; Charles-Simon Catel: Overture in C Major transcribed by Richard Franko Goldman; Giuseppe Verdi: Overture to Louis Miller transcribed by William G. Pruyn; Ambroise Thomas: Overture to Raymond transcribed by VF Safranek; Daniel-François Auber: Fra Diavolo transcribed by LP Laurendeau; Antônio Carlos Gomes: Overture to Il Guarany

The United States Marie Band conducted by Colonel John R. Bourgeois

Part 3a: Sir Arthur Sullivan (arr. Sir Charles Mackerras): Suite from the Ballet “Pineapple Poll”

The United States Marine Band conducted by Colonel Michael J. Colburn

Part 3a: Maurice Ravel: La Valse (transcribed by Master Sergeant Donald Patterson)

The United States Marine Band conducted by Colonel Michael J. Colburn