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Concert Hall Classics

Concert Hall Classics, hosted by Curt Timmons, offers three hours of stunning music, presenting extended selections from the KUCO library and his personal collection. The program allows KUCO listeners to indulge in their favorite masterworks as well as discover more unusual offerings.

Photo of radio host Curt Timmons

A Preview of Upcoming Programs on CHC

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

Concert Hall Classics October 26 to October 29, 2026

Oct. 26 – Organ Edition

Program 1: Organ music of Leo Sowerby, Symphony for Organ and Orchestra of Aaron Copland; Historic recording of Francis Poulenc’s Concerto for Organ, Strings and Timpani with Charles Munch conducting; “Ein Feste Burg” with the Chicago Gargoyle Brass and Organ Ensemble

Part 1: Leo Sowerby: Fantasy for Flute Stops; Requiescat in pace: Symphony in G for Organ

Catherine Crozier plays the Aeolian-Skinner Organ at Saint John’s Chapel of the Groton School, Groton, Massachusetts (1987 digital)

Part 2a: Aaron Copland: Symphony for Organ and Orchestra

Wayne Marshall plays the CB Fisk Opus 100 organ in the Meyerson Symphony Center Hall – Dallas Symphony Orchestra conducted by Andrew Litton (1997 digital)

Part 2b: Francis Poulenc: Concerto for Organ Strings and Timpani

Berj Zamchochian plays the Boston Symphony Hall organ: Boston Symphony Orchestra conducted by Charles Munch (1960 analog)

Part 3: James Curnow: Rejouissance-Fantasia on “Ein Feste Burg” composed in 1987 for wind ensemble and arranged for brass and organ in 2011; Heinrich Schütz: Three Becker Psalms, Op. 5 arranged for brass qurtet; Johann Sebastian Bach: “Nun komm der heiden heiland,” BWV 659; Three Lutheran Chorales BWV 680, 687, and 651; Otto Nicolai: Church Festival Overture on “Ein Feste Burg,” Op. 31, originally for orchestra and arranged for brass and organ; Felix Mendelssohn: Organ Sonata No. 6 in d, Op. 65; an arrangement of the last movement of Mendelssohn’s Symphony No. 5, the Reformation symphony Op. 107

Jared Stellmacher and Mark Sudeith, organists, with the 2006 Rogers Op. 1038 organ at St. Michael the Archangel Catholic Church in the Curnow, Heinrich Schütz Bach “Nun Komm…”, and Mendelssohn Sonata; The 2001 Schantz Organ Op. 2300 at the Church of the Gesu, Marquette University Milwaukee, Wisconsin and the 1982 Casavant Op. 3544 in the First United Church of Oak Park, Illinois in the remaining works – Chicago Gargoyle Brass Ensemble conducted by Stephen Squires

 Oct. 27 – Choral Edition

Program 2: The Martyrdom of Saint Sebstian by Claude Debussy; Ballet music to Daphnis et Chloe & One act opera L’infant et les sortilege by Maurice Ravel

Part 1: Claude Debussy: Le Martyre de saint Sébastien (The Martyrdom of St. Sebastian)

Suzanne Danco, soprano; Nancy Waugh and Marie-Lise de Montmollin, mezzo sopranos; Union Chorale de la Tour-de Peilz – L’Orchestre de la Suisse Romande conducted by Ernest Amsermet (1954 analog stereo)

Part 2: Maurice Ravel: L’enfant et les sortilèges: Fantaisie lyrique en deux parties (The Child and the Spells: A Lyric Fantasy in Two Parts)

Soloists, and the Choir and Orchestra of French Television and Radio conducted by Lorin Maazel (1961 analog)

Part 3: Maurice Ravel: Daphnis et Chloé, symphonie chorégraphique

Choral ensemble Spirito; Orchestre National de Lyon conducted by Leonard Slatkin

Oct. 28 – Orchestral Edition

Program 3: Leonard Bernstein and the NYPO – Early & Late 1960s Columbia Masterworks Symphonic Standards

Part 1a: Wolfgang Amadeus Mozart: Marriage of Figaro overture (1968 analog); Symphony No. 39 in E-flat, K. 543 (1961 analog)

Part 1b Wolfgang Amadeus Mozart: Symphony No. 41 in C, K551 (1968 analog)

Part 2: Hector Berlioz: Symphonie fantastique,Op. 14 (1963 analog)

Part 3: Johannes Brahms: Symphony No. 1 in c minor, Op. 68 (1960 analog)

The New York Philharmonic Orchestra conducted by Leonard Bernstein

 Oct. 29 – Brass Edition

Program 4: Early analog recordings of The Canadian Brass; The Artistry of trumpeters Gerard Schwarz and Niklas Eklund; The Millar Brass Ensemble

Part 1: Eldon Rathburn: Canadian Brass Rag; JS Bach (adapted): The Cathedral; GF Handel: A Royal Firework; Claude Debussy: Golliwog’s Cakewalk; Larry Crosley: Days Before Yesterday; Don Gillis: El Sueño; Erik Satie: Gymnopedie No. 1; Don Gillis: The Joust; Scott Joplin: The Entertainer Rag; Ragtime Waltz; The Favorite Rag; Sycamore Rag; Euphonic Sounds Rag; Rosebud March; Figleaf Rag and Easy Winners Rag; TK Filmore: ‘Lasses Trombone and Slim Trombone; Amazing Grace (arr.) Bourbon Street Medley: Just a Closer Walk with Thee-Tin Roof Blues-Muskrat Ramble

The Canadian Brass (taken from the 1970s analog CBC albums “Canadian Brass Plays Rags” and “Unexplored Territory”)

Part 2a: Johann Ernst Altenberg: Concerto in D (7 trumpets); Antonio Vivaldi: Concerto in C (2 trumpets); Heinrich Ignaz Franz Biber: Sonata in C (8 trumpets); Giuseppe Torelli: Sonata a cinqe No. 1 in G (Trumpet in A); Georg Philipp Telemann: Concerto in D (Piccolo trumpet in A)

New York Trumpet Ensemble, Gerard Schwarz, solo trumpeter; and The Y Chamber Symphony of New York conducted by Gerard Schwarz (1979 digital)

Part 2b: George Frederick Handel: Overture to Atalanta

Niklas Eklund, solo trumpet; Drottingholm Baroque Ensemble

Part 3: Sergei Prokofief: March, Op. 99; March from Love of Three Oranges; Tylaman Susato: Six Dances from La Danserie; Edvard Grieg: Funeral March; Jean Joseph Mouret: Rondeau; Thomas Morley: Now Is the Month of Maying; Giovanni Gabrieli: Sonata pian’ e forte; Canzona septimi toni, No. 2; Pavel Chesnokov: Salvation Is Created; Benjamin Britten; Russian Funeral; Johann Sebastian Bach: Suite de Danses (arr. by Jean Thilde)

The Millar Brass Ensemble (1995 digital)

 

Previous Programs on CHC

Monday, October 19, 2026

3-hour programs 11 am-2 PM & 9 PM-12 am Monday through Thursday

Concerti Edition

Part 1: CPE Bach: Concerto E major for harpsichord and string orchestra, WQ 14; Concerto in G major for harpsichord, two flutes, two horns and string orchestra, Wq 43; Johann Christian Bach/arr. Wolfgang Amadeus Mozart: Concerto in D major for harpsichord and string orchestra, K. 107 No. 1

Trevor Pinnock, harpsichordist, leading The English Consort from the keyboard

Part 2: Franz Joseph Haydn (attrib): Concerto in E-flat for 2 horns and orchestra; Antonio Vivaldi Concerto No. 11 for two horns and strings (transcribed by Zoltan Varga from Vivaldi’s Concerto for two violins found in the collection “L’ Estro Harmonico.”); Antonio Rosetti; Concerto No. III for Two Horns; Kerry Turner titled “Twas a Dark and Stormy Night” for two horns and strings (2006)

Kristian Mascher and Kerry Turner, horns; Sinfonieta Cracovia conducted by Dariusz Wisinewski

Part 3a: Frédéric Chopin: Piano Concerto No. 1 in E minor, Op. 11

Part3b: Frédéric Chopin: Grande valse brillante in E♭ major, Op. 18

Part 3c: Frédéric Chopin: Variations on “Là ci darem la mano” for piano and orchestra, Op. 2

Emmanuel Ax plays an 1851 Erard piano; The Orchestra of the Age of Enlightenment conducted by Sir Charles Mackerras

 

Tuesday, October 20, 2026

Choral Edition

Part 1: John Rutter: Dancing Tree (2024); Jake Runestad: “Cello Songs” (2020); Charles Forsberg: “Buttercup Days” (opening movement of “In Christopher’s Time: Jazz Suite for Choir”); Charles Villiers Stanford: “The Blue Bird,” Op.119, No. 3; Benjamin Britten: “Hymn to St. Cecilia,” Op. 27; Claude Debussy: “Trois Chansons”

The St. Charles Singers conducted by Jeffrey Hunt

Part 2: Ludwig van Beethoven: Choral Fantasy, Op. 80; Rondo in B-flat WoO 6; Elegiac Song, Op. 118; Calm Sea and Prosperous Voyage, Op. 112

Walter Klein, pianist in the Fantasy and the rondo; Soloists and St. Louis Symphony Orchestra and Chorus conducted by Jerzy Semkow

Part 3a: Sergei Prokofiev: Zdravitsa (1939)

The Geoffery Mitchel Choir; London Philharmonic Choir; The London Philharmonic Orchestra conducted by Derek Gleeson

Part 3b: Sergei Prokofiev: Alexander Nevsky, Op. 78

Evgenia Gorohovskya; Chorus of the Teleradio Company; the Chamber Chorus of St. Petersburg; St. Petersburgh Philharmonic Orchestra conducted by Yuri Temirkanov

 

Wednesday, October 21, 2026

Orchestral Edition

Part 1: Franz Ignaz Beck: Sinfonia in D, Op. 2 No. 1; Sinfonia in g minor, Op. 2 No. 2; Sinfonia in A, Op. 2 No. 3; Sinfonia in E-flat, Op. 2 No. 4; Sinfonia in D, Op. 2 No. 5; and Sinfonia in G, Op. 2 No. 6

Thirteen Strings Chamber Orchestra conducted by Kevin Mallon

Part 2a: Gioachino Rossini/Ottorino Respighi: La Boutique fantasque (1919)

Part 2b: Gioachino Rossini/Ottorino Respighi: Rossiniana (1925)

Antal Dorati conducts The Royal Philharmonic Orchestra

Part 3: Richard Strauss: Aus Italien (1886)

The Cleveland Orchestra conducted by Vladimir Ashkenazy

 

Thursday, October 22, 2026

Wind Ensemble Edition

Part 1: Antonín Dvořák: Carnival Overture, Op. 92 (Transcription by Herbert L. Clarke); Richard Wagner:  Flying Dutchman Overture (Transcription by Mark Hindsley); Hector Berlioz: Benvenuto Cellini Overture (Transcription by F. Ligner); Giuseppe Verdi: Il Finto Stanislaw (Transcription by Walter Kalischnig); Giuseppe Verdi: Giovanna D’Arco Overture (Transcription by John R. Bourgeois); Johann Strauss Jr.: The Gypsy Baron Overture (Transcription by William Jolly); Sir Arthur Sullivan: Overture di Ballo (Transcription by John R. Bourgeois); Édouard Lalo: Overture To Le Roi D’Ys (Transcription by Lucien Cailliet)

United States Marine Band conducted by Colonel John R. Bourgeois

Part 2: Franz von Suppé: Light Cavalry Overture (Transcription by Charles Godfrey); Leonard Bernstein: Overture To Candide (Transcription by Clare Grundman); Otto Nicolai: The Merry Wives of Windsor Overture (Transcription by John Philip Sousa); Gaetano Donizetti: Don Pasquale Overture (Transcription by Pasquale Pulvirenti); Charles-Simon Catel: Overture In C (Edited by Richard Franko Goldman and Roger Smith); Giuseppe Verdi: Luisa Miller Overture (Transcription by William G. Pruyn); Ambroise Thomas: Raymond Overture (Transcription by V. F. Safranek); Daniel-Francois-Esprit Auber: Fra Diavolo Overture (Transcription by L. P. Laurendeau); Antônio Carlos Gomes: Il Guarany Overture (Transcription by Herbert L. Clarke)

United States Marine Band conducted by Colonel John R. Bourgeois

Part 3: Amilcare Ponchielli: La Gioconda (Dance of the Hours) (Transcribed by Carlo Morino, revised by Stephen Katz; Giuseppe Verdi: Triumphal March from Aida (Transcribed by Giuseppe Creatore); Richard Wagner: Elsa’s Procession to the Cathedral from Lohengrin (Transcribed by Lucien Calliet); Sir William Walton: Coronation March “Crown Imperial” (Transcribed by WJ Duthoit)

United States Marine Band conducted by Colonel Timothy W. Foley